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Explore the studio selection180 × 180 cm, 2026, acrylic ink on canvas. You Gave Me Love is Beba’s intimate tribute to her husband and to the love they have built together. The intertwined forms speak of two distinct lives choosing closeness—holding, protecting and transforming one another through tenderness, vulnerability and shared strength.
90 × 60 cm, 2026, acrylic ink on rice paper. A dense assembly of finely drawn, wave-like contours is woven together with bold black forms into a single vertical presence. The intricate internal rhythms contrast with the open white ground, giving the composition both movement and visual weight.
130 × 100 cm, 2020, acrylic ink on canvas. Disfigurement on Canvas explores the experience of inner pain and the way it can reshape a person from within. Its restless, fragmented forms evoke emotional agitation and a private turmoil that distorts how the self is felt and perceived.
2024, acrylic ink on cotton paper. Purple Dance speaks about the freedom that emerges when the body lets go of control and follows its own rhythm. The figure bends, stretches and almost dissolves into movement, while the vivid green pattern carries a playful pulse through the delicate purple linework.
70 × 50 cm, 2026, acrylic ink on cotton paper. Rising Above the World speaks about the struggle to lift oneself beyond the weight and noise of everyday life. The figures rise together from a dense, turbulent ground, transforming pressure into resilience, solidarity and hope.
70 × 50 cm, 2026, acrylic ink on cotton paper. The Heaviness of the World reflects the burden of carrying forces larger than oneself—the pressure of fear, responsibility and collective sorrow. Beneath the vast dark mass, the figures remain upright and close together, suggesting endurance and human connection even when the world seems to press down.
200 × 50 cm, 2026, acrylic ink on canvas. Walls of Venice reflects a city shaped as much by what it conceals as by what it reveals. The monumental red form meets the deep blue field like architecture touching water, turning the wall into a threshold between memory, intimacy and the unknown.
28x50, 2014, dip pen and brush with acrylic ink on paper